Architectural
Details: The Church of St. Mary, Sompting by Stephanie James
T H E C H U R C H O F S T. M A R Y
Sompting, Sussex

The
Tower
The Church of St. Mary in Sompting is one of
the most striking examples of Anglo-Saxon
architecture in all of England. Its primary
distinguishing feature is the Rhenish
Helm or Rhineland Helmet
of the tower. This is the only known example of
this style with roots in the Anglo-Saxon period.
The tower is best seen from the outside, where
the helmet shape of the roof will be noticed, as
well as the small Saxon windows high in the
walls, and the stone pilaster strips in the
centre of each wall and at the corners. The walls
are of solid masonry and stand on a natural chalk
foundation.
Inside the tower, the arch is an important
example of Saxon architecture, built by men who
had seen Roman arches still standing in Sussex.
An altar stood against the east wall of the
tower, and the arch is therefore not in the
centre of the wall.
The Nave
Mentioned in the Domesday Book of AD 1086, the
Church was granted to the Order of the Temple of
Soloman in AD 1154. The Order was a crusading group of
monks commonly known as the Templars. Soon after
they were granted the Church, they rebuilt the
nave and chancel on the original Saxon plan with
the walls in one straight line with the tower
walls. They added the present north and south
transepts, originally walled off from the main
church, as chapels for the use of their members.
Many of their small Norman windows have been
replaced at various dates by the present larger
windows. In a blocked doorway on the north side
of the nave carved stones have been placed so
that the back and front can both be seen: the
back faces west and shows Saxon carving, while
the front facing east shows a 13th century
carving of Our Lord in Majesty.
The North
Transept
This was originally a separate chapel for the
use of the Templars. Notice the central pillar
supporting the vaulted roofs of the two small
chapels to the east, the southern one which would
have served as the chancel. A corbel carved with
a strange face supports the vaulting of the roof
between the chapels. In the west wall are traces
of an original Norman window discovered in 1969.
There are memorials to the Crofts and Tristram
families here.
The Chancel
It will be noticed that there is no arch
separating the nave and chancel.On the north
wall is the carved tomb of Richard Burre who
died in 1527, a member of London Guild Companies.
Made in a simple style, the tomb was planned to
be used as an Easter Sepulchre, and to replace
the earlier example still seen a little to the
east as a small recess ornamented with a strip of
Saxon carving. Low down in the corners of the
east wall are two hollows known as aumbries which
were probably used to contain relics. In the
south wall near the altar is the piscina once
used for washing the chalice and paten after
Communion Services: two strips of Saxon carving
ornament the top. The blocked opening in the
south wall is thought to have connected with the
lower level of the south transept. Behind the
altar the elaborately carved reredos of soft
limestone is considered to be a good example of
Victorian craftsmanship, as are the stained-glass
windows.
The South
Transept
This was built by the Knights Templar in about
AD 1180 as a private chapel for themselves. Lower
in the level, square and solid as a Crusaders'
castle, perhaps built by men who had fought hand
to hand with the Saracens in the Holy Land, it
has its own miniature chancel and sacristy, and
forms a complete church within a church. High on
the west wall is the arch of an original Norman
window discovered in 1969, and on the east wall
near the pulpit is a Norman stone carving of an
Abbot. Over the south doorway the great height of
the arch is thought to have been designed to
admit templar banners. The Norman font of Sussex
marble now stands on a modern pillar in the small
chancel, out of which a doorway leads to the
sacristy built between the chancels as a
strong-room to contain valuables. The Templars
were exempt from all taxes, and with branches in
every country in the known world, the order
became extremely wealthy and was able to organize
an international banking system. The English
headquarters in the Temple Church in London
contains an underground chapel in which even the
crown jewels were on occasion deposited as
security for loans. When it became clear that the
Crusades were to all practical purposes ended,
governments throughout Europe looked critically
at the wealth of the Templars and began to make
political attacks. Although individual Templars
owned no personal property, many were martyred,
and in England soon after AD 1308 the Order had
almost disappeared.
In AD 1324 a statute of Edward II accepted the
international ruling of the Pope who had formally
dissolved the order that all Templar property
must be assigned to another Order of Crusaders,
the Order of the Hospital of St. John of
Jerusalem, often known as the Knights of St. John
or the Hospitallers, who were held in high
esteem. The new owners opened the Templar Chapels
to the local people and built themselves a new
chapel north of the tower.
At the time of the Reformation the Order of
St. John was dissolved by Act of Parliament under
Henry VIII in 1540 and the new chapel later fell
into picturesque ruin. Some of the stones were
re-used when a south porch was added during the
late Tudor period.
The Order of the Hospital of St.
John of Jerusalem was re-founded in England in
1831 as a charitable and benevolent organization,
and received a Royal Charter from Queen Victoria
in 1888. It is probably best known today for the
valuable work of its Ambulance Brigade. In 1963,
the Order was re-instated as Patron of the Church
at Sompting.
Architectural
& Historical Discussion
The
Rhenish Helm
Related Pages:
Saxon Churches
Sources
William Addison (1982) Local
Styles of the English Parish Church
Mervyn Blatch (1974) Parish
Churches of England
Russell Chamberlin (1993) The
English Parish Church
A.W. Clapham (1969) Romanesque
Architecture: Before the Conquest
G.H. Cook (1961) The English
Medieval Parish Church
J. Cox (1944) The Parish
Churches of England
P.H. Ditchfield (1975) The
Village Church
G.M. Durant (1965) Landscape
with Churches
Stanley P. Excell (1979) Sompting
Parish Church: A Brief Guide
Eric Fernie (1983) The
Architecture of the Anglo-Saxons
Richard Foster (1981) Discovering
English Churches
G.N. Garmonsway (1990) Anglo-Saxon
Chronicle
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Styles of the English Parish Church: A Survey of
their Development, Design and Features
Leonora Ison & Walter Ison
(1972) English Church Architecture Through
the Ages
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Guide to Anglo-Saxon Sites
H.M. Taylor & Joan Taylor
(1965) Anglo-Saxon Architecture, Vol. 1
H.M. Taylor (1978) Anglo-Saxon
Architecture, Vol. 3
David M. Wilson (1986) Anglo-Saxon
Art: From the Seventh Century to the Norman
Conquest
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